MERCI Théâtre Hector-Charland Katrine Courtemanche et la fabuleuse Annie-Claude Coutu Geoffroy pour la semaine intensive de travail au Centre d’art Diane-Dufresne à Repentigny sur la nouvelle création Anima / Darkroom de Lucy M. May avec Krumper pionnier du Canada 7Starr. * Stay tuned — we’ll have more good news for you soon enough! *
Full Moon on the Spring Equinox JACKETS OFF NOW!
Quelques nouvelles de cette première lueur printanière :
Lucy sera en mini tournée cette semaine à Fairfield, Connecticut, avec Some Hope for the Bastards de Frédérick Gravel. Elle travaillera pendant quatre jours à Houat, France, avec la chorégraphe Polonaise Ola Maciejewska. Par la suite, elle sera à Paris pour assister au International Illest Battle 2019, une évènement de Krump importante, présenté cette année au Festival 100% La Villette du 28-31 mars.
Lectures sur le projet Mouvement de passage d’Ariane Boulet, membre du regroupement chorégraphique Je Suis Julio. Lucy participe en tant d’interprète à ce projet depuis 2017.
After many months of research and creation, the threads are coming together in fuller and fuller force for Susanna Hood‘s new creation for six performers, Sovann Prom-Tep, Julie Houle, Jennifer Thiessen, D. Alex Meeks, and Lucy M. May, premiering Tuesday March 12th.
…la création de “Impossibly Happy,” une suite de chansons et de danses écrite par Susanna Hood avec les fabuleux membres de son band, “Near to the Wild Heart” mettant en musique et en mouvement la poésie de l’iconoclaste poète du 15e siècle, Ikkyū.
Opening is NYC-based trombonist Weston Olencki who will be making his Canadian premiere performing a set for modified bass trumpet, snare drum, and trombone featuring his own works and music by George Lewis.
New DEMO REEL highlighting two years of creative output, including Éclosions, Moulting, Ascendants, Vivarium, Esemplastic Landing, reaching over a brink of darkness folding open to a starlight trepanation, and Le Goulet.
Currently deep in workshopping with FadaDance in Regina, with youth company, community, and the troupe until Wednesday November 7th (7PM) , and presenting three solos as part of New Dance Horizon’s House of Dance series.
Fluid Fest — 9PM — November 2-3, 2018
Double bill with Hilary Maxwell’s Isolated Studies
DJD Dance Centre Studio Theatre
Lucy M. May uses the analogy of a photographic darkroom and the ontology of the black box to delve deep into Krump’s rich and complex story-telling structures. In an short version of this full-length solo in creation, the veteran performer 7Starr engages with the theatre’s raw material, rendering the thought and anima at the heart of Krump to surfaces and space. Emergent are the human efforts to listen and be heard, to bear witness and be seen.
Over the next year, we will be building a long-form solo for and with pioneer Canadian Krumper 7Starr under the working title Anima / Darkroom. After two years of close and continued study, I am nervously excited to delve deeper into Krump’s rich and complex story-telling structures. It is an honour to have this opportunity to create with 7Starr’s acuity and inventiveness. Joining the team are composer Patrick Conan, lighting designer Jon Cleveland, dramaturg Ellen Furey, artistic advisor Alexandra “Spicey” Landé, and Krump music producer Big Rulez aka God’sHand (Marion Arinloye).
Created in residence and with the generous support of Studio 303, The Third Floor Projects / Usine C, and Danse à la Carte. Anima / Darkroom benefitted from a technical residency at Centre de Création O Vertigo – CCOV. The creation of this work was made possible thanks to the financial support of the Conseil des arts et des lettres du Québec. We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country. Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.
SUMMER PRIVATE LESSONS
Many of you in the street dance community have shown interest in my background over the past year, so this July & August I have decided to offer private lessons to introduce you to a range of practices in contemporary dance.
Summer is a great time to cross-train, explore new avenues, and invest in your curiousity, so we’ll tailor the content to your interests and needs. This is a new adventure for me, so I’ll be taking just a few students to start.
L’été est là, en évidence!
Plusieurs d’entre vous de la communauté de danse urbaine ont démontré de l’intérêt dans ma pratique professionnelle pendant le dernier an. J’ai décidé donc d’offrir cet été des cours privés qui vous introduiront à une diversité de pratiques en danse contemporaine.
La saison estivale est un excellent moment pour vous entraîner différemment, pour explorer de nouveaux pistes et investir dans votre curiosité. Les leçons seront façonnés pour favoriser vos intérêts et besoins. C’est une nouvelle aventure pour moi, et je ne prendrai que quelques élèves pour débuter.
La chorégraphe en danse contemporaine Lucy M. May présentera une nouvelle création intitulée Éclosions dans le cadre de l’événement Les Nourritures terrestres, le 26 mai, 2018, au Théâtre Gilles-Vigneault à Saint-Jérôme, Québec.
À propos d’Éclosions
Dans cette performance, quatre danseurs s’entrelaceront à travers une série d’installations mouvantes et inspirées de courbes de formes botaniques. Leurs mouvements seront accompagnés de la musique d’anabasine (Danji Buck-Moore), DJ techno, membre fondateur du collectif the plant et organisateur d’événements underground (Lagom) à Montréal.
Les danses kaléidoscopiques ont été spécialement créées pour les espaces aérés du Théâtre Gilles Vigneault. La chorégraphe Lucy M. May a travaillé en collaboration avec les interprètes Nindy Banks, James Phillips et Lauren Semeschuk, ainsi l’artiste Erin Fortier dans le cadre de ce projet.
Le travail de Lucy M. May expérimente l’improvisation, l’ontologie de l’espace et la nature de la collaboration. Éclosions s’aventure davantage dans l’hybridation de la gestuelle contemporaine et urbaine, le sonore et la performance visuelle.
*** NAVETTE GRATUITE ! FREE SHUTTLE ! ***
Le samedi 26 mai, un service de navette est offert gratuitement pour le retour à Montréal. Elle partira à minuit du Théâtre Gilles-Vigneault pour se rendre au métro Jean-Talon. Places limitées, merci de confirmer votre intérêt à email@example.com
Saturday May 26, a shuttle bus service returning to Montreal is offered free of charge following the performance. Departure at midnight from Théâtre Gilles-Vigneault to metro station Jean-Talon. Limited seating, please confirm your seat by emailing firstname.lastname@example.org
Collaborateurs au projet :
Merci à l’USINE C, au Département de danse – Université du Québec à Montréal et LA SERRE — arts vivants pour les résidences offertes pendant la création.
Dear friends & lovers,
In a month+ I’m teaching a week-long workshop at Studio 303, drawing on performances I’ve developed over the past two years: Vivarium, Esemplastic Landing, Ascendants, Éclosions, Le Goulet, “reaching over a brink…”
I’m going to share triggers I use to create gesture, deepen curiousity, and feel for the edges of imaginative landscapes, in and through improvisation.
There will be space to work collectively and individually, and although I won’t be teaching any Krump (duh), I’ll share how its form has influenced my process and practice recently.
HOPE TO SEE YOU THERE & PLEASE SHARE WIDELY!
DROP-INS ARE WELCOME.
Mes amours — dans un peu plus d’un mois, je vais enseigner un atelier d’une semaine à Studio 303, qui tira des performances que j’ai développé sur les derniers deux ans : Vivarium, Esemplastic Landing, Ascendants, Éclosions, Le Goulet, “reaching over a brink…”
Je vais partager des outils déclencheurs que j’utilises pour créer la geste, approfondir curiosité, et pour fouiller les limites de paysages imaginatifs par l’improvisation.
Il y aura de l’espace pour travailler en solo et en gang, et bien que je n’enseignera pas du Krump (duh), je partagerai comment sa forme aurait influencé ma pratique et mon processus récemment.
A+ & PARTAGEZ SVP!
In just a few short weeks, Vivarium will burst into spaces at Tangente Danse in Montréal for a run of four public shows!
Our tour to the Maritimes in January 2018 was an intimate yet significant success. We were received with open arms, offered two workshops, and had deep conversations with audiences in both Moncton and Halifax, as well as with extended community members with whom we crossed paths.
Join us for this double bill — Rewilding — in tandem with the inimitable Kimberly De Jong. Her new solo BOXHER, in collaboration with the saxophonist Jason Sharp, will première alongside Vivarium on Thursday March 29th. We are so excited to share this experience with you.
Thursday March 29th, 7:30 pm
Friday March 20th, 7:30 pm
Saturday March 31st, 7:30 pm
Sunday April 1st, 4 pm
The Wilder Building, 1435 de Bleury Street
Dans quelques courtes semaines, Vivarium éclora dans les espaces de Tangente Danse à Montréal pour quatre représentations publiques!
Notre tournée dans les Maritimes a été intime mais fut un succès significatif. Nous avons été reçu à bras ouverts, offert deux ateliers et eu des conversations profondes avec les publics de Moncton, Halifax et également avec les membres des communautés que nos routes ont croisées.
Rejoignez-nous pour ce double programme — À nouveau sauvage — en tandem avec l’inimitable Kimberly De Jong. Nous partageons la soirée lors de la première de son nouveau solo BOXHER, en collaboration avec saxophoniste Jason Sharp, le soir du jeudi 29 mars. Nous avons si hâte de partager cette expérience avec vous.
Jeudi le 29 mars, 19h30
Vendredi 30 mars, 19h30
Samedi 31 mars, 19h30
Dimanche 1 avril, 16h00
Édifice Wilder — Espace Danse, 1435 rue de Bleury
Centre-ville de Montréal
Dans une semaine!
Jupiter is in Scorpio, Venus is conjunct Jupiter, and winter is darkening our half of the earth. There is a lot on the plate. There is a lot of energy begging to be channelled and harnessed, condensed to a seed, planted, patient.
>> My quick hop to Quebec City in October for La petite scène’s 10th anniversary edition — Inquiétante étrangeté, for which I created and performed Le Goulet was a success. I met lovely new folks, and loved the intensity of spending a whole day to prepare for a 7-minute performance.
>> We raised our campaign goal for Vivarium, and this week Paige Culley, Patrick Conan and I go into residency at Tangente.
>> This weekend: LUNA. I’ll be performing on Saturday November 18, 2017, on the new moon, with Nate Yaffe to help Kim de Jong raise funds for the creation of her new project BOXHER. Buy your tickets here!
>> Flyers and posters are up for Cru d’automne — L’école de danse contemporaine de Montréal’s Third Year students’ show, for which I created a sextet with a mighty little group of people. This is a big deal for me. Shows run December 13-16, 2017 at “Tangora” / l’Édifice Wilder — Espace Danse.
>> I am writing my final report for the Esemplastic Landing residency which was completed this summer. With a few months remove, the depth of learning and shifting that came for me from the unfolding of this project is moving. There are long pieces of writing I have in my back pocket, and I hope one day to be able to share this formally with you.
>> Research with Susanna Hood and a super crew of dancers and musicians over the past weeks has been elevating, unifying, and mind-expanding. >> Beginning a series of regular one-on-one engagements with residents of the CHSLD retirement homes across the island of Montreal in the context Ariane Boulet’s project Les mouvements du passage is a gift and an intense practice of listening and ascertaining, of questioning how to be with another, how to ask for permission, how to offer, when and how, without words. >> Timid as I was, leading an improvised score for those attending this year’s Movement Educator’s Forum, held at Studio 303 and coordinated by Kelly Keenan, was a gratifying experience. Discussions again, about consent, about crediting our sources and the nature of dance lineage as an oral tradition, about the difference between sensation and feeling, about sitting in discomfort, circulated in the room, as we revisited the strange attitudes of our bodies, our strange behaviours existing in the fringe spaces of not-knowing. Eroca Nichols’ pedagogy blew my mind.
>> Lots on the horizon…but heck, it’s bed time already…
Thank you to everyone who donated to Vivarium! You raised 3310$ which will go towards remounting the work for indoor spaces and upcoming performances in 2018.
Caisse Desjardins de la culture
Charles & Zipper Scriver
Alejandro de Leon
Vivarium is being refitted for a winter of indoor shows! This is the first time I’ll be showing my own work at Tangente in Montréal — and I’ve launched my first campaign to levy funds for the essential labour. Your support is a gift, and I deeply appreciate any contribution you can make. I’m taken aback at the support the project has received so far, but from here, we just keep going! Thank you, thank you, thank you,
* * *
Vivarium se refera à neuf pour des performances intérieurs cet hiver! C’est la première fois que je présentera mon travail à Tangente à Montréal — et c’est aussi la première campagne de socio-financement que je lances, pour amasser des fonds pour le labeur essentiel. Votre support est un cadeau et j’apprécies profondément vos contributions. Je suis boulversée par le support que le projet à eu à date. D’ici, on n’a qu’à continuer! Merci, merci, merci,
After Esemplastic Landing, summer is now an arrow straight into the fall…
Hi New Brunswick! I’m back for the last five weeks of Esemplastic Landing!
I’m going to keep it brief.
Week one: Saint John
~ performance and workshop during Saint John Contemporary Dance Festival ~
The Lips of the River
Saturday, June 24th @ 2:00pm
86 Grannan Street
The performance is an improvisation that takes place at a midway point on a long solo walk across Saint John from one city limit to the other. Lucy will meet the public in front of Rogue Coffee, 86 Grannan Street, where the over-arching choreography of the walk and the day will direct her movements. After the performance, the public is invited to continue the walk with her for as long as they like, to talk and share impressions and stories.
Rustlin’ Vessels Workshop
Sunday, June 25 @1:00pm
187 St. James Street, The Studio Dance School Saint John
For dancers and artists / Adult movers with some experience
This class provides space for wriggling, creeping, shaking, and shifting your juices and pieces. Together, we’ll follow our fingers and toes, practice transfigurations, get lost in sensation and heavy sounds, repeat gestures, deep-listen to objects and spaces, and embody bits of history and anthropology. I’ll propose games, frames, and wormholes that draw on the language of somatics, science, dance, and folklore, and that relay from our commonwealth of contemporary performance practices. We’ll behave andmisbehave, touch the familiar and the unknown, and bump our way through big ideas. Be it resolved that dancing is a way of thinking in the world.
Week two: I’ll be heading to Kingston Peninsula to create movement and explore the lower Wolastoq and The St. John River Society’s heritage steamboat wharves.
Week three: Family connections — returning to Saint Martins with my sister to continue creation in the mud of the Bay of Fundy and the shoals of Big Salmon River where we went as kids. Plus, a four-day paddle with my father — artist and painter Stephen May — to collaborate on drawings and dancing on the Wolastoq between Jemseg, Gagetown, and Otnabog Lake.
Week four: More creation time at movement practitioner and choreographer Lee Saunder’s secluded farm in Petitcoadiac.
Week five: A return to Fredericton to tie things up, and an overnight with the Voyageur Brigade Society as they make their way down the Wolastoq for Canada 150. I will be participating as an on-board artist, inquiring with the paddlers about their knowledge and bringing my own questions to the boat. A show-and-tell of my work will happen at Oak Point landing.
Vivarium à Suoni Per Il Popolo dans moins d’une semaine! Avec movements de Paige Culley (et moi), un bulle sonique de Patrick Conan, un tapisserie végétale et pétrolière de Noémie Avidar… une petite marche depuis Casa del Popolo, une porte ouverte au site secret, un temps suspendu…venez nous visiter un demi-heure ou une heure-et-demi à votre guise.
14 juin (15 juin en cas de pluie)
17h30 rdv à 4873 boul. St-Laurent
Performance de 18h00-19h30
7-12$ “sliding scale”
Vivarium @ Suoni Per Il Popolo in less than a week! With movements from Paige Culley (and myself), a sonic bubble from Patrick Conan, a vegetal tapestry from Noémie Avidar… a short walk from Casa del Popolo, an open-door to a secret location, suspended time….come visit us a half-hour or an hour-and-a-half, as you like.
14 June (15 June raincheck)
5:30 pm call at 4873 boul. St-Laurent
Performance from 6:00 pm to 7:30 pm
7-12$ “sliding scale”
Accessibility to the site for those with reduced mobility may be inconvenient or not possible, as the entrance is up a grassy hill, and there is a small ledge in the doorway.
Third in a series of short documentaries by Ayelen Liberona, about Margie Gillis’s Legacy Project. The focus here is on Conflict Transformation.
I’m so grateful to continue having these moments of mind-body expansion with her, to be able to learn from her goofiness and complexity, generosity and persistance.
“Let it be there, let it change.” — Margie Gillis
PUMPED that Vivarium will be presented at Suoni per il popolo 2017. This will be the first time dance is presented at the perennial avant-garde music festival, which takes place each June in Montréal, Québec.
Look for us on June 14th, 2017.
Tickets are available here.
$7 / $7-12
*** Secret location / lieu secret — 10 minutes walking distance from Casa del Popolo / à 10 minutes à pied de la Casa del Popolo
*** Maps indicating the route to the site will be given between 5:30 pm and 7:00 pm at Casa del Popolo / Une carte indiquant le chemin au lieu de la performance sera donnée entre 17h30 et 19h00 à la Casa del Popolo — The performance runs from 6:00-7:30 pm / La performance continue entre 18h00-19h30 ***
Very excited to be installing a durational piece (Drawings copied to transparency film, Live Art) — reaching over a brink of darkness, folding open to a starlight trepanation — at Ibrida*Pluri III with the collaboration of Andrew Tay, Paige Culley (movements, presences), and Patrick Conan (sounds). Yay!!!
Through tunnels of sentience, the installation aims towards a kind of temporal Cubism in which distances of time and space collapse. Lucy entrusts the performance to two dance artists, Paige Culley and Andrew Tay, asking them to reanimate the drawings of her movements in her absence. The figures are a notation of dances made and felt while in residence in her natal province of New Brunswick in 2016 and 2017. The multiplicity of limbs suggests a rough animation, taking after drawings made of animals in the Chauvet Cave in France. Past and present enfold each other in the reading of drawings, as if the motions previously made were still reverberating, as if the body who traced them were just there, moments ago, with you in the room.
April 27-28, 2017
Metro De Castelnau
I’ll finally be performing at Tangente for the first time!
April 27-29, 2017 – 19h30
April 30, 2017 – 16h00
Édifice Wilder Espace danse
1435 rue De Bleury
Follow my excursions through New Brunswick 2016-17 — LIKE the page!
Two weeks until I begin phase one of my New Brunswick residency Esemplastic Landing.
I start in Sackville: three weeks of romping around the campus, the marshes, the fields, and mudflats. Send me your ideas of where I should roam on the contact form at the bottom of the page), or visit Esemplastic Landing’s page to leave a comment.
I made my last excursion to Europe with Chouinard recently! So it may have been my last trip to the eastern West for quite some time–who knows? I am, however, off to China–for my final Chouinard tour as a permanent dancer of the company–in four days!
I danced Soft Virtuosity @ Festival d’Avignon in the amazing Cour de Lycée Saint-Joseph. It was incredible to see the projections — our “grande fresque” — on the stone wall of the school and to feel the night sky above us as martins screeched. There is such intensity of feeling in Europe right now –palpable in the audiences before whom I performed, and with whom I sat at shows, following the horrific event in Nice.
We continued to Madrid where we were privileged with a private visit to the Bosch exhibit at the Prado in advance of our performances of the new work, HIERONYMUS BOSCH: THE GARDEN OF EARTHLY DELIGHTS, at the Veranos de la Villa festival, and afterwords in ‘s-Hertogenbosch proper for Bosch500 Festival. The piece (boom!) is a triple-decker joy to dance — three flavours of it. Here, as usual, are my tits:
July 9th, 2016, a second showing of Vivarium with Paige Culley, Patrick Conan, and Noémie Avidar for a small group of invites. Dorian Nuskind-Oder graced us with her cinematic presence, and Emily Gan shot some wonderful stuff. We are gearing up for a year of deep body composting and pre-pupational wiggling. More to come!
I’ll be co-directing and choreographing a video tomorrow with Cameron MacLean (also known for Vesuvio Solo) for his upcoming album release on banko gotiti (North America) and atelier ciseaux records (Europe).
I am incredibly excited to develop a solo performance practice in Sackville, New Brunswick this fall. Esemplastic Landing is a nomadic outdoor research project…more to come!
Just two more shows in France after a marathon tour, and then I’ll come home to do some danced palmistry with my Montreal community!
The workshop is based around initiating movements from isolated fingers and toes. This will permit us to draft simple parameters for complex physical rewiring and gonzo social experimentation. Alone, with a partner or as a group we’ll play, test and train in the studio-as-laboratory. Everyone will have opportunities to apply the diversity of their experiences to this research. All channels are open. Our hands and feet are weighty with signs of the past and whispers of the future: chiromancy, mudras, Chinese meridians … What physical logic or personal truths do these symbolic systems hold to our physical geography? Might these discoveries help us reshape our ways of being and moving through dances and the world? Those with or without fingers and toes are equally welcome.
Shows in København all week with Megan Walbaum, Valeria Galluccio (happy birthday!), Morgane Le Tiec, Scott McCabe, Paige Culley, Sébastien Cossette-Masse, et Sacha, et Carol Prieur, Tony Chong, Joël Lavoie, Charles CB, et Julian et Jérémie et Jean-Hugues.
Also, teaching a pro workshop at the extraordinary Danse Hallerne space on Monday, February 22, 2016.
Erin, Theo and I perform quiet moves on Friday December 18th, at La Poêle 307 in Montreal. Join us for tea and listening while we revisit Aika, a movement research into patience and attention, inspired by reindeer, wind and many afternoons spent swaying in the grass under the sun testing our limits. Contact me for further details.
In Berlin now, with Soft Virtuosity + Mouvements tomorrow Aug. 19 and Thursday 20th at Haus de Berliner Festspiele for Tanz im August. I must admit, these two pieces hold a lot of power and awe for me; awe-ful; each time I perform them (even just in rehearsal) some layer is peeled back off the tasks, the material, the shapes, and further complexities are exposed to the air. The forms are never still as they first appeared to me, as they first felt in my body. Sensations transform inside the shapes, other x-ray lights saturate through the flesh, and meaning twists aside, just out of reach. Strahlen, writes Mina Loy.
This city bears fruit to me always. I’m brewing new projects with my colleagues — a thing that will nest inside the form of tour-life (a mold that repeats its form, again and again dissimilar. What meaning is held in Saramago’s clay dolls made by hundreds in The Cave?) What lies incarnate and unwritten in the tactile dialogue between two surfaces: skin and other thing? We continue to collect the senses…
– L ?
Nine days until I perform with ERIN FORTIER at Subtle Technologies in Toronto…
Things are clicking into phase for Erin and I. We are rehearsing often in various sunny places around Montreal. Our conversations flow around notions of The Quantified Self to Jane Bennett’s theories on “vibrant matter” to binaural trance, slowness and Doppler effects. I give my regards to Antonija Livingstone, whose scores I learned last year — they are strongly influencing my creative drive and listening muscles. I nod also to the unfolding of a new creation with Marie Chouinard (the content of that piece, however, is top secret until our première in Stuttgart in June 2015).
Stay tuned, as we plan to re-perform Aika in Montreal the following weekend.
Saturday, May 30th, 2015, 13 h 30
COLLIDE COLLOQUIUM at SUBTLE TECHNOLOGIES in TORONTO
Erin and I will occupy the hallway and mezzanine of Artscape Youthspace in a man-made landscape. Sculptural elements will stand in for the forces of nature Erin encountered during her research in Finland, which included encounters with a Saami reindeer herder. Using repetitive and minimalistic movements, texture, pause and phasing, she and I will relate ourselves to the active, reactive, and coincidental forces in the room, and the movement of spectators.
Subtle Technologies, Speaker Series
Artscape Youthspace. 180 Shaw Street
$40 (full day, regular) $20 (student/senior/artist)
$20 (half day, regular) $10 (student/senior/artist)
Thursday, April 30th, 2015, 20 h 30
SHORT & SWEET at THE 30TH ANNIVERSARY CELEBRATION of LE REGROUPEMENT QUEBECOIS DE LA DANSE in MONTREAL
I’ve created two pieces for the RQD’s big birthday bash, one in collaboration with composer Patrick Conan, and another in collaboration with dance critic Fabienne Cabado. Surprises await you!
Doors open at 20 h 30.
Billets en prévente au coût de 10 $ dans trois lieux de danse :
3680, rue Jeanne-Mance, bur. 440► Circuit-Est centre chorégraphique – Entre 9 h et 16 h 30
2022, rue Sherbrooke Est► L’École de danse contemporaine de Montréal – Entre 8 h 30 et 19 h
Édifice Belgo, 372, rue Sainte-Catherine Ouest, bur. 211
Last summer, I was personally invited by Margie Gillis to participate in a think-tank in Acton Vale. This week-long conversation and workshop was aimed at imagining a long-term project that will “involve a new generation of dance artists in Margie Gillis’ various creation, interpretation, mentoring, and teaching activities in order to ensure her important creative legacy.”
As an admirer of Margie’s verve since I was a young girl (I had a postcard from Torn Roots Broken Branches on my wall throughout high school), it was simply a dream to spend a week at her house in Acton Vale last summer, imagining the possibilities with a team of very fine Canadian and American women of dance.
I am personally extremely keen to be involved with Margie’s work in Conflict Transformation, and eventually to pursue other coaching and mentorship projects with her, as the Legacy Project continues to bloom.
An official launch to The Legacy Project is in the works for the summer of 2015.